4th August 2017. It's a beautiful world.
Chinese Art Supliers we trust!
If you're determined enough you will slowly start to see the attitude of the brush resemble Chao's work, or whichever Master you work and learn from by Example. It is a slow road for most and I will never claim I am now or ever will be a Master.
That would be foolhardy.
For one thing I have never been brought up in China, nor have I had the life of a Chinese person.
Nor have I worked, eaten, breathed slept and survived in anywhere Chinese.
So, that massive side of Chinese spirituality will always be missing.
I am western conditioned, regardless of the fact that I hate that branding.
Lucky for us, in the 2000's we can purchase from China the art materials we so badly need from any number of outlets advertising across the world.
Two that I particularly love and trust enough to spend copious fund swith are www.Inkston.com and www.HMayXuanPaper.com because the quality, material range and speed of service as well as the perfect degree of one to one communicationmakes these suppliers the top of anyones list.... if you're serious about the Chinese Arts.
I, for one, cannot stand to use anything that is strictly not traditionally Chinese. Nor do I enjoy using liquid inks, I more prefer to make that black ink from an ink stick because I know that sticks history and I know the forests it came from and I can see it in my minds eye....... and its what the Chinese have done for so many ages past.
As with the paper. As old as I can afford it. I prefer that off white look to it. Tatty edges and torn into shape.
It's something that starts to grow on you spiritually as you as you study the art more and more. It is as if the fibres of Chinese something slowly integrate and help you see what should be there, as opposed to what you thought ought to be there instead.
It is a gentle journey, and one I respect in that THIS is CHINESE not Western. I use Chinese stone for the seals, Chinese bamboo for the brushes. It is as if something has suddenly repelled me from the western side of Art.
I do not look too deeply as to why I enjoy it so much. I simply enjoy what feels to flourish as time crawls on. I am me. I am English. But not neccessarily by nature.
But Phones are definitely not worthy of displaying our Works?
It's been a while since I've felt the need to write something inside this Blog. Actually, its not a blog, it's more of a standard website from the days of the 1990's in so far as it allows full width formatting and shows the Paintings I work on and from in large detail. Big enough to see without pussyfooting about with fade in galleries and giant arrows on the images. I hate that.
Artists need S P A C E . Not between the ears either.
The ability for other artists to display their work seems to have been crushed with social media sites. I host with HeartInternet utilising the fastest servers on the planet without limits on space or bandwidth because you need something of a vehicle to display what you're doing in the Arts with impact.
Phones are not browsers.
Too many people are sadly dependant on squinched up little images shown on what basically amounts to a Phone site. How on earth we're supposed to impress a client or potential customer with an image three inches across baffles me and the design of sites that are "phone shaped" and only utilise the middle third of a screen...... and that's acceptable?
The only way to seriously browse the web is through a proper desktop device or large laptop. If you're on a "just passing" crusade with your life and its progress and your study levels mimics this.... then so will your life achievements.
I'm afraid a postage stamp sized representation of your achievements...... kind of self declares by its size, the level of achievement to onlookers.
One Taker brave enough.
I'm happy to say that Darlene Kaplan, an American Chinese Art Enthusiast of some note who is quite achieved in this field in the states has taken up the offer I put out on a social site of having a full scale blog to post her work on.
I get the impression that it is a challenge for her as web technologies are not her hot spot but... she is ready for the challenge and already has several online prescences though sadly... some adhere to the failings stated above.
One of her sites kind of hung off left on 27% of the screen. Who the hell designs these things? SEE HERE Darlene's newa nd upcoming Blog....... and bookmark it because it will be worth your attention And, as you'll see, it uses the whole of that brand new monitor your new computer came with. Not just the middle third bit.
Her works are seen across the planet andif, like me, you've been in the field a while and enjoy seeing the work of others because you can now appreciate it, her posts will be worth the time it takes to read them.
Old coding still works, it's just called something ridiculous now.
In 1994 we used "variable parameters" on the pages so that it didn't matter what you viewed the site on it organised itself to fit. Now they call this "Adaptive" as if its some kind of magic programming that's come about but in truth, its been missing for years because programmers and coders and internet designers have been lame, lazy and basically..... crap. Spewing out nonsense sites and convincing their clientele that "This is the way forwards!"
Let us pray!
I hope that by the next decade's end we have a system where people are once again looking at high definition internet sites on large viewers because if you went to the movies and were handed a three inch handheld pocket device to watch the movie on while you walked around the refreshment booth, you'd want your money back.
Increasing Numbers to the Chinese Arts in the West.
Pleasingly, there are more and more people taking up the Chinese Arts. Sadly, too many are mixing it with Westernisms and this is a contamination not tolerated by the traditionalists in China. That's a bit like going out for a Chinese meal and then being asked if you want some Bisto poured all over your rice.
So why play this game with something that's historically beautiful. No, I have zero toleration for Western Infiltration of pollutants in this most ancient art to the degree there is nothing western on my Art Table at all. I have never indulged in Western Style Painting. only Chinese. I am lucky in this respect as I have no habitual traits to spoil the progressive walk I demand from it.
Are you an Artist looking for a way to display your works? Bigger than the patronising social sites allow you? You can write to me and we can see what can be done.
A little about Chinese Ink Sticks.
More than 3,000 years ago, Asian artisans discovered how to turn the residue from burnt wood into one of the most important and lasting vehicles for human expression: ink. For more than a thousand years, the method of making Sumi sticks has remained the same. Soot from pine is mixed with deer horn glue, molded and kneaded like dough and dried to form a well-shaped solid block which, when gently rubbed against a certain kind of stone with water, turns to ink. It is unsurpassed for producing the famous Five Colors, or shades of black, that form the basis of monochromatic Sumi painting. The subtlety of Sumi ink is evident in the variety of tones and values it produces.
Ink Stick Grades
|tungoil soot||gelatin||musk, gold, borneol, pearl, rhinoceros horn|
|General use 1
General use 2
|There are seven grades in Chinese ink stick. The grade is usually stamped on the body of an ink stick either in its traditional name or in numbers. The numbering system has been in use since 1965 during Chinese Cultural Revolution, when the names were done away with for they implicated old culture.|
Ink sticks vary in shape and size. Basically because when it is pliable, it is like plastercine and can be shaped as you wish. Normally it is pressed into a wooden or stone mold and set to dry for some years stored away safely.
The older the ink the better it is to work with but contact and exposure to sunlight destroys it. Be wary of ink stick suppliers because they can sell you crude oil based soot ink sticks and these contain seriously poisonous ingredients.
For me, the best way to make ink is with an ink stone and an ink stick. I dont use any other method. To do something that was done trhousands of years before me is very satisfying simply to create a black mark on ancient xuen paper.
You can also purchase coloured ink sticks and so on but the main black soot ink comes in many forms, even premade bottled form though this contains a spirit that allows faster drying and not to be used on your ink stone. Ink stones are not supposed to become dry. The set ink destroys the surface qualities of the stone and pores and hence ruins further use.